google-site-verification=a5PWtUyGac8iiyYakrZLxvVpBANTAXh6Drdi5Fnsyqc

Strip Lining

Bande de tensions sur une œuvre dont les bords de toiles étaient trop court. permet de monter ou de remonter des peintures avec une tension excellentes.

What is it for?

Strip lining is a conservation intervention that consists of reinforcing a canvas’s edges to allow its correct tensioning on a stretcher. This technique is particularly important when a painting original edges are weakened, torn, fragmented or simply too short to allow adequate fixing on the stretcher.

Strip lining application allows to:

Consolidate weakened edges of the canvas without intervening on the painting central part

Widen edges of a canvas too short to reach dimensions necessary for good stretching

Harmoniously distribute tensions on the entire perimeter

Protect original edges against mechanical constraints exercised by nails, staples or other fixing systems

Allow optimal tensioning without risking new tears

A particular stake for contemporary art

In the field of modern and contemporary art, my specialty at Atelier CROMA, strip lining application presents specific problematics:

  • Modern industrial canvases have different characteristics requiring adaptation of reinforcement material choice
  • Large formats, typical of contemporary art, exercise important mechanical constraints on edges
  • Contemporary artwork borders can integrate non-traditional elements (collages, important thicknesses, mixed materials) that need to be taken care of

How I proceed at Atelier CROMA?

As a conservator specialised in modern and contemporary art, I apply a rigorous methodology adapted to each work:

1. Prior diagnosis

Before any intervention, I carry out detailed evaluation:

  • Analysis of existing edge condition and their capacity to support tensions
  • Evaluation of original weaving to choose a reinforcement canvas with compatible mechanical characteristics
  • Observation of tensions currently exercised on the canvas
  • Identification of fragility zones on the artwork’s perimeter
  • Determination of optimal width of strip lining to apply

2. Selection of adapted materials

For any artworks, I carefully choose:

  • Compatible canvases with original support, both in terms of weaving and dimensional stability
  • Reversible adhesives adapted to synthetic materials often present in contemporary art
  • Intermediate materials ensuring harmonious transition between original support and strip lining
  • Specific solutions for borders presenting unconventional materials

    3. Precise application techniques

    Strip lining application takes place in several meticulous steps:

    • Painting edges preparation (cleaning, prior consolidation if necessary)
    • Custom cutting of strip lining in adapted textile material
    • Controlled fraying of strip edges to create progressive transition with original canvas
    • Application of insulating layer to guarantee future intervention reversibility
    • Precise gluing of strips with compatible and time-stable adhesive

    4. Adaptation to contemporary specificities

    For modern and contemporary artworks, I’ve developed specific techniques:

    • Strip lining application on industrial canvases whose selvedges are often insufficient or weakened
    • Adaptation to non-sized canvases typical of certain contemporary practices requiring compatible adhesives
    • Adaptation to synthetic preparations (acrylic, vinyl) that react differently to traditional glues
    • Solutions for large formats requiring reinforced strip lining to support important mechanical constraints
    • Methods compatible with unvarnished surfaces frequent in contemporary art, requiring particular precautions during application
    • Adaptation to loose or irregular weave canvases used by certain contemporary artists

    An ecological approach

    My environmental approach translates concretely in my strip lining approach:

    Privileged use of natural origin textiles well sourced for reinforcement strips

    Selection of adhesives with low environmental impact when compatible with the artwork

    Preference for cold techniques limiting energy consumption

    Possible reuse of original stretchers when their condition permits

    When to consider strip lining application?

    This intervention may be necessary in various situations:

    Frayed or torn edges no longer allowing secure fixing

    Insufficient original format to allow adequate mounting on stretcher

    Localized weaknesses on canvas perimeter

    Work preparation for new mounting on stretcher

    Necessary enlargement following presentation format modification

    Why choose Atelier CROMA for strip lining application?

    As a conservator specialized in modern and contemporary art, Zoé Sallin offers you:

    A specific expertise in treating modern and contemporary artworks

    In-depth knowledge of textile materials and adhesives adapted to contemporary art

    Particular sensitivity to large format problematics

    Innovative solutions for complex cases

    Ecological commitment in material and method choices

    Strip lining application, although often invisible to the viewer, is a fundamental intervention that conditions the artwork’s long-term conservation and optimal presentation. At Atelier CROMA, I commit to carrying out this technical operation in greatest respect for your work’s specificities.

    Ask a personalised estimate

    Does your artwork present weakened or insufficient edges for correct tensioning? Don’t hesitate to contact me for a personalised diagnosis and a quote adapted to your situation.